AI editing to music
You pick the shots. The edit lands on the music.
You lay down your chosen shots and your music. The tool listens to the track, orders the film following the structure of your niche and cuts each shot on the bar.
In beta at our agency
The problem
Cutting an edit to music, shot by shot, cut by cut: one to three hours per project.
0 ms
between the planned cut and the actual cut, on a 28-shot film
Measured in Premiere, on one of our agency's projects.
In beta at our agency
What works today
- Music analysis: tempo, bars, major transitions
- A shot lasts about one bar; 15 to 40% of cuts land right on the start of a bar or a major transition
- On every major transition in the music, a hard cut and a change of location
- Fade to black on the last shot, fade-out on the music
- “Senior editor” mode: the AI follows the team's playbook, reviews its own edit and corrects it
- You can mark the music's transitions by ear: your markers take priority
Planned
What's coming
- Style DNA: import your finished edits and the AI learns your pacing and your choices
- Three variants at once: calm, dynamic, emotional
- Three alternatives for every shot, swappable in one click
- Voice-driven storytelling for weddings: the strongest lines from the vows laid over the music
Be among the first to use it.
The waitlist is open. Our 30 design partners get free access for 12 months.